Author: a.catherine.noon

  • You get… me. And apparently, a fully reorganized YouTube channel.

    You know, I wrote that title to be funny about organizing my YouTube channel, but now I want to read that book. Lort.

    ANYway.

    I just spent the week working on “assets” (sounds like I’m a spy when I say it like that, y’all) for our marketing. One big part of that is organizing my YouTube channel, The Noonhour, into clean Playlists.

    What YouTube channel, you ask? This one: https://www.youtube.com/@TheNoonhour/playlists

    For those of you familiar with YouTube, go forth and browse.

    For those of you who have no idea what I just said, or who have some idea (“I know what YouTube is, but what’s a Playlist and why should I care?”), here’s the background.

    Welcome to The Noonhour

    (Cue “Welcome to the Jungle…”) (Kidding.)

    Way back in the Before‑Times, when I started my YouTube channel, I had no idea what I was doing. I had this brilliant idea to read books I loved for people, to share my love of them. I sat down, got all ready to read Anne McCaffrey’s Dragonflight, and realized…

    I don’t have the copyright to be able to do that.

    Oops.

    So I pivoted. I tore through my library looking for stuff that wasn’t under copyright anymore.

    I know, I’ll read Sir Francis Bacon!

    (As one does.)

    (Turns out, reading archaic English is hard when you try to raw‑dog it, y’all…)

    So then I decided to try something easier, and read a Czechoslovakian folktale about a chicken. (And the fact the book listed it as “Czechoslovakian” tells you how old the book was, considering the Civil War was quite a while ago now.)

    Then I decided to hang up my spurs. Because nobody, Wildling, nobody wants me to read them John Locke.

    And so it sat.
    Quiescent.
    Waiting.

    Enter Author Nation 2025 and Bradley Charbonneau

    He taught a class called YouTube for Authors, and Rachel and I went. He had us stand up, right there in the conference room at the Horseshoe Hotel and Casino in Las Vegas, Nevada, and hit record — just point it at the ceiling, he said, or the floor, it didn’t matter.

    What mattered was the start.

    This sounded like NaNoWriMo, y’all — the whole “just write it” ethos I’ve been preaching for nigh on these many years. Every extrovert in the room leaped out of our chairs. I dragged Rachel out of hers (she’s the introvert of the two of us) and we made our very first video together:

    Bradley made a really good point: Your first video will be your worst — but that means every video after gets better.

    He even brought in a surprise Special Guest — Dale L. Roberts, bestselling author and keynote speaker, and one of the nicest men you’d ever care to meet. Turns out Mr. Roberts wrote a book called YouTube for Authors, which is actually eighth in a series of books for indie authors about building a sustainable creative business.

    So what does all this mean for The Noonhour?

    I’m so glad you asked.

    Like I said, I’ve been working on creating marketing assets — Kindle screenshot videos, slideshows, microfiction clips — featuring our books. I’ve also kept up with Bradley’s challenge: 30 Shorts in 30 Days. I’m all about challenges like that; nothing teaches you as much as doing the thing.

    And now?

    I’ve reorganized The Noonhour into clean, intentional playlists that reflect my actual creative life.

    Announcing Our Playlists

    Author-in-Motion

    Short, story‑driven moments from my author life — microfiction, Foundlings shifter lore, writing updates, Kickstarter hype, and behind‑the‑scenes glimpses into the worlds I’m building. These are the fast, fun, book‑ecosystem shorts that keep my stories in motion.

    Storysnax – Weekend Fiction Readings by Noony (A. Catherine Noon)

    I’m Noony (A. Catherine Noon). I write across worlds — from queer urban fantasy and shifter romance with Rachel Wilder as Noon & Wilder, to our science fantasy series in the Persis Chronicles, to my own speculative fiction. StorySnax is where I read short excerpts from all the worlds I’m building, one cozy Saturday at a time.

    Calm Life Shorts

    A collection of quiet, real‑life moments — dog walks, cat chaos, carwash vibes, and everyday calm. Short, grounding videos from my life as an author.

    Studio Downshift

    Quiet, creative downshift moments from my studio — fiber work, calligraphy, craft table resets, and the gentle transitions that help me shift out of activation and back into myself. These are the grounding, hands‑on clips where art, calm, and curiosity meet.

    30+ Shorts in 30 Days

    Bradley Charbonneau @RePossible challenged us to post 30 Shorts in 30 Days at Author Nation 2025. I took the challenge and created some fun content, but what’s more, I got comfortable with my phone in my hand, talking to you — which was Bradley’s whole point. Smart guy.

    I hope you’ll join me as I share a little about the behind‑the‑scenes of being a writer, living with dogs and cats, and especially, spider season.

    Why was “Spider Season” my most popular video of the series, y’all?? I DON’T LIKE SPIDERS. THEY SCARE ME.

    I think this maybe just proves that I don’t know this whole internet thing as well as I thought I did.
    grin

    Five Things I’ve Learned

    1. It reminded me that I love blogging, and doing short videos is a lot like blogging.
    2. I’ve done Toastmasters for years; this is a natural evolution of that.
    3. “Fail faster” means you get better quicker.
    4. Don’t wait for perfection. Movement is Magic.
    5. Apparently, y’all like spiders. Wut.
  • Every story begins with a spark. For Bird’s Eye View, that spark came from a single question.

    What happens when a reserved crow shifter professor meets someone who sees right through him?

    I did not plan for Mads to be a professor. I did not plan for Caden to be the kind of student who challenges authority with a lifted chin and a stubborn refusal to back down. Once they appeared, they refused to leave me alone.

    The First Scene I Ever Wrote

    It was not a kiss. It was not a fight. It was not even magic.

    It was a moment of silence. The kind that falls over a room when someone says something they should not, and everyone waits to see what happens next.

    Caden challenges Mads’ age. Mads freezes. The room goes still.

    In that moment, I understood exactly who they were.

    Why a Crow Shifter?

    Crow shifters are clever, observant, and deeply emotional in ways they do not always show. They collect things. They collect memories. They collect people. They are protective and loyal and quietly intense.

    Mads carries all of that.

    He is composed on the outside, but inside he is a storm.

    Caden is the one person who can see it.

    The Heart of the Story

    At its core, Bird’s Eye View is about:

    • finding someone who understands you before you understand yourself
    • the tension between authority and vulnerability
    • the moment instinct overrides logic
    • the slow burn of two people circling each other until the spark finally catches

    It is a romance built on glances, silence, and the kind of chemistry that makes everyone else in the room uncomfortable.

    Why This Story Belongs in the Anthology

    All In on Love celebrates connection. Messy connection. Magical connection. Unexpected connection. Mads and Caden fit perfectly into that theme.

    Their story is small in scope and huge in emotion. It is intimate. It is charged. It unfolds in the space between words.

    Kickstarter: 5 Days Left

    We are building something beautiful with this anthology. It is a collection of stories that celebrate queer love, magic, tension, and the full spectrum of romance.

    If you want to read Bird’s Eye View and all the other stories, you can back the project here:

    Get My All In on Love Kickstarter Updates

    Thank you for being here. Thank you for reading. Thank you for supporting this project.

  • The Kickstarter for All in on Love: A Collection of Romance is fully funded!

    I am SO VERY GRATEFUL to you, Wildlings! YOU made this possible. Now we get to work towards some fun stretch goals and extras, but just let me take a moment to tell you from the bottom of my heart: THANK YOU.

    The story we contributed to this anthology, “Birds Eye View,” was so much fun to write. Our main character, Mads, is a crow shifter with a secret. We meet Mads in Book 1 of The Foundlings, As the Crow Flies. But in this short story, we get to see that meeting from Mads’ point of view.

    It’s challenging to write a character with a secret, because you have to thread the needle between telling enough of the story to bring the reader (that’s YOU, my dear) in on the story, but not so much that you lose the mystery or atmosphere. And with Mads, who lost his parents in a tornado when he was five, “there’s a lot of ‘there’ there,” as my friend Dorothy Werner used to say. But Mads’ crow, now, is a whole different kettle of fish.

    His crow is opinionated, irreverent, and not particularly patient with Mads and his interpersonal hang-ups. If it were up to his crow, there’d be no mystery. Just romance.

    And when the two meet…

    Well, you’ll have to wait for the Kickstarter to find out, now won’t you?

    Check it out here and follow along. I’ll be sending out a small Kickstarter‑specific newsletter soon, so you won’t miss a thing.

  • Header image from Delilah Devlin’s website featuring a male torso in shadow with her name in bold script and the tagline “New York Times and USA Today Bestselling Author.”

    Visiting Delilah Devlin This Week

    Hello, Wildlings, and Happy Friday. I’m excited to share that I’m over at Miss Delilah’s this week. Come on by and check it out; I’m talking about our upcoming Kickstarter (yes, that one).

    Curious? Come join the fun: https://www.delilahdevlin.com/blog/2026/07/16/a-catherine-noon-when-magic-gets-messy-and-why-i-love-it/

    Postcard from Noony

    I’ll also be sending a Postcard from Noony to our newsletter subscribers.

    Not on the list yet? Come on in, luv — the water’s fine: https://noonandwilder.com/newsletter/

    That’s all for today. Happy Friday!

  • Throwback to my 05/30/26 post for Delilah Delilah, when this project was still a quiet seedling. It’s been growing in the background ever since, and I’m finally ready to share the next step. The Kickstarter goes live on 7/21, and I can’t wait to show you what’s been unfolding.

    You can see the post here.

    All in on Love!

    You can visit the Kickstarter now!

  • Thirty-One Days, Thirty-One Stories: A Flash Fiction Journey, by A. Catherine Noon

    Happy Solstice, Dear Reader! For Summer Solstice this year, I decided to collect 31 stories that I wrote during a challenge one March. It was bonkers and creative and insane and FUN, and I figured you’d enjoy reading it as much as I did writing it.

    You can visit our bookshop to check it out. It’s available from your favorite retailers, but I wanted to talk a minute about that. We are working with Curios, and I wanted to share a little bit about why.

    First, what is Curios?

    Curios is a direct to fan distribution platform for digital content. On Curios, the creator keeps 100% of any revenue earned, they can access their fans contact information, and they maintain the ownership and IP of their work at all times.

    We’ve met the founder and chief technology guy, and they are super nice and committed to the artist and author communities. They started originally to help musicians keep more of their income. Did you know, for example, that an artist could post a song on Spotify, get thousands of downloads, and literally make less than a dollar? That’s criminal. So they set out to do something about it. They feel the same way about the indie author space, and that’s why we decided to work with them. Every time you purchase one of our books from them, we keep more of the money you spend and it doesn’t go to some faceless conglomerate or, worse, some billionaire who, frankly, doesn’t need your money.

    We also use Mooberry Book Manager, a woman-owned small company that works directly with indie authors to build, you guessed it, bookshops on their websites. When we started with Curios we didn’t see an option to add them as a vendor and the owner of Mooberry worked with me directly, person-to-person, to make that available. What’s more, we were able to connect her with Greg at Curios, expanding the indie author universe. You can check out Mooberry here.

    Okay, now to the important part of the announcement, the BOOK! (Right?)

    Thirty-One Days, Thirty-One Stories!

    It’s LIVE, y’all! I’m stoked.

    See, here’s what happened. Clear back in 2008, the Absolute Write forums had a challenge – they’d issue a prompt in the morning, and you had to write a flash fiction story by the end of the day and post it on your blog.

    So me? I decided to do it!

    Thirty-one days, y’all.

    Only one problem. I had no idea how to write flash fiction.

    What is flash fiction, you say?

    Good question.

    Most writers agree that flash fiction is a short story, under say 1,500 words or so, with a beginning, middle, and end.

    Being writers, we argue the details. But in general, that’s what it is.

    For the challenge, the limit was no more than 1,000 words.

    Have you MET me? I can’t tweet to save my life, and I am a friggin’ novelist, y’all.

    But they say that the best way to learn is to do, so I do’d. (Rhymes with dude, see what I did there?) And the stories were posted on my blog.

    For those of you playing the home game, 2008 is 18 years ago. Y’all, if my stories were a people, they could VOTE.

    Wut.

    So when people ask me, “What do you write?” and I’m all, “Check out my blog,” they are reasonably going to look at me with deer-in-the-headlights and say, “Um, Noony? WHERE on the blog?”

    So I made a book.

    Because that’s what writers do.

    Want the link? Go forth and click it!

    Kickstarter! Pre-Launch! Now!

    Rachel and I have a short story in the forthcoming anthology, All in on Love! This is a fun one. It’s the meet-cute moment between Caden and Mads, but from Mads‘ point of view!

    Why is this fun?

    Mads is a contract killer who lost his parents in a tornado when he was five. Trapped in the basement for three days before he was rescued, poor guy has trauma with a capital T.

    He is also a crow shifter. And since shifters don’t get their animal form until puberty, his CROW is perfectly well-adjusted – and he has opinions, y’all. Their interactions are a stitch and a half.

    Take a peek:

    His crow wasn’t even listening. No, he was locked on the guy like he was a magnet.

    Pretty! Pretty! Pretty!

    He’s a fucking student!

    Pretty One is like us.

    No point arguing with his crow when he got like this.

    See what I mean?

    Well, if you want to see more, AND see some amazing stories by fantastic authors including our dear friend Tina Holland, then please visit and click on “Notify me on launch.” You’ll help our algorithm and you’ll get to read some amazing stories. Win-win!

    That’s all for now, my little Wildlings. Remember: eat your vegetables, move your body, and for the love of Pete, READ SOMETHING FANATASTIC!

    ~hugs~

  • If you love cross‑genre stories, gorgeous artwork, and ambitious creator‑driven projects, I have something special to share today.

    Every once in a while, a project comes along that feels ambitious, beautifully crafted, and powered by creators who genuinely love storytelling. Parallel Truths, the newest anthology from the team behind Author Nation and Reader Nation, is exactly that.

    What Is Parallel Truths?

    It’s a 248‑page, multi‑genre graphic novel anthology featuring twelve original stories from bestselling authors and legendary comic artists. Think science fiction, fantasy, horror, romance, thriller, and literary fiction — all woven together around one central question:

    What if another version of your life existed somewhere else? A better one. A worse one. A deadlier one.

    This anthology explores identity, memory, grief, ambition, love, and the roads not taken — all through the lens of alternate realities and fractured timelines.

    Why This Anthology Matters

    Parallel Truths brings together creators whose work you probably already know:

    • Andy Weir (The Martian, Project Hail Mary)
    • Eloisa James (NYT bestselling romance author)
    • JN Chaney (Renegade Star Universe)
    • Tony Lee (Doctor Who comics, thriller author Jack Gatland)

    Paired with artists who’ve worked on:

    • X‑Men
    • Star Wars
    • Judge Dredd
    • Hellblazer

    This isn’t just a collection of stories. It’s a collaboration between indie authors, comics veterans, and visual storytellers who are pushing the boundaries of what an anthology can be.

    What’s Inside

    Parallel Truths includes twelve stories across multiple genres, including:

    • clones fighting for autonomy
    • portals to better (or worse) versions of your life
    • lunar miners caught in temporal experiments
    • magical creatures navigating broken realities
    • romance in parallel timelines
    • grief, memory, and the thin line between worlds

    It’s a multiverse — but with heart.

    The Editions (and Why They’re Gorgeous)

    The Kickstarter offers four tiers, all of which include the digital edition. The physical editions are where things get truly stunning:

    • Oversized softcover with French flaps and UV spot gloss
    • Special Edition hardcover with gilded edges, foil‑stamped slipcase, and custom endpapers
    • Collector bundle with both editions

    These are designed to be displayed, treasured, and revisited — the kind of books that feel good in your hands.

    Why I’m Sharing This With You

    As part of the indie author community, I love seeing creators come together to build something ambitious and beautiful. Parallel Truths is one of those projects that reminds me why I love storytelling — the collaboration, the imagination, the willingness to take risks. Our friend Annette Grantham is one of the featured authors.

    And because many of you love cross‑genre fiction, graphic novels, and creator‑driven projects, I think this anthology will hit your sweet spot.

    If you want to explore the campaign, you can check it out here: https://www.kickstarter.com/projects/authorventuresllc/parallel-truths-a-multi-genre-graphic-novel-anthology

    You can read more about:

    • The anthology overview
    • The reward tiers
    • The creators involved

    Final Thoughts

    The stories are written. The art is in production. All that’s missing is readers who love bold, imaginative storytelling.

    If Parallel Truths speaks to you, I hope you’ll take a look — and maybe even back the project. Independent creators thrive when readers like you show up.

    And honestly? This one is worth showing up for.

  • In the Foundlings’ world, not all magic is loud. Some of it moves like breath — a soft stirring of air that slips through open windows, rustles the edges of maps, and lifts the hair at the nape of the neck. The elders call it zephyr, though the word barely captures the way it feels.

    Zephyr is the magic of subtle shifts. The magic that arrives before you realize anything has changed.

    The Wind That Knows

    Zephyr is not a wind in the ordinary sense. It doesn’t follow weather patterns or seasons. It follows intention.

    It moves toward:

    • a question forming in the mind
    • a choice not yet spoken
    • a path that’s about to open
    • a truth someone is finally ready to hear

    Zephyr is the messenger magic — the one that carries hints, warnings, and invitations.

    Where It Moves

    You can feel zephyr in certain places:

    • at the edge of the Night Market, where lanterns sway without any breeze
    • in the high branches where the owls keep watch
    • along the old roads that remember every footstep
    • in the quiet between two people who haven’t yet said what matters

    It’s the kind of magic that doesn’t push. It nudges.

    Those Who Notice

    Some Foundlings are more attuned to zephyr than others.

    Aaron feels it first — a shift in the air, a prickle of awareness. Mads senses it in the way shadows lengthen, as if the world is holding its breath. Even Breck, who pretends not to believe in such subtleties, has been known to pause mid‑stride when the wind changes direction.

    Zephyr doesn’t choose favorites. It simply goes where it’s needed.

    The Meaning It Carries

    Zephyr is the magic of:

    • beginnings disguised as endings
    • endings disguised as beginnings
    • the moment before a decision
    • the breath before a name is spoken
    • the hush before something important arrives

    It’s the reminder that magic doesn’t always roar. Sometimes it whispers.

    Together

    Zephyr is the final letter of this cycle, but not the end of anything. It’s the soft shift that signals the next chapter, the next question, the next quiet unfolding.

    It’s the magic that says: Pay attention. Something is moving.

    A Question for You

    Where in your life do you feel a subtle shift in the air — the kind that suggests something is about to change.

  • In the Foundlings’ world, magic doesn’t always arrive with light or sound. Sometimes it comes as a pull — a quiet ache beneath the sternum, a tug toward something not yet seen but already known. The elders call it yearning, though the word feels too small for what it truly is.

    Yearning is the magic that moves before the feet do. It’s the compass that points toward the thing you didn’t know you were missing.

    The Pull Beneath the Ribs

    Yearning begins as a sensation: a flutter, a tightening, a warmth that gathers just behind the heart. It’s not painful, but it’s insistent — a reminder that something in the world is calling your name.

    Some Foundlings feel it when they’re young. Others don’t feel it until much later, when the world has already carved its marks into them.

    But when it comes, it’s unmistakable.

    The Things That Call

    Yearning can be stirred by many things:

    • a lantern glowing in a window at dusk
    • the cry of a hawk circling above the treeline
    • the scent of rain on stone
    • a name spoken softly in the dark
    • a path that forks in the woods and feels strangely familiar

    Sometimes the thing that calls is a person. Sometimes it’s a place. Sometimes it’s a truth you’re not ready to hold — not yet.

    Those Who Feel It Deeply

    Some Foundlings carry yearning like a second heartbeat.

    Aaron feels it when he stands at the edge of the Night Market, watching the lanterns sway. Mads feels it in the quiet hours, when the world is still and the wind shifts direction. Even Breck, who pretends he’s immune to such things, has been known to stare too long at the horizon.

    Yearning doesn’t ask permission. It simply arrives.

    The Path It Opens

    Yearning is not a command. It’s an invitation.

    It doesn’t say, Go. It says, Listen.

    And when you do, the world rearranges itself — subtly, gently — until the next step becomes clear.

    Yearning is the magic that leads you toward the life that’s waiting for you, even if you don’t yet know its shape.

    Together

    Yearning is the thread that pulls the Foundlings forward:

    • toward each other
    • toward their magic
    • toward the truths they’re meant to uncover

    It’s the soft ache of becoming. The quiet promise of what could be. The whisper that says, There is more for you than this.

    A Question for You

    Where in your life do you feel that quiet pull — the one that asks you to listen more closely.

  • There’s a particular kind of magic in the Foundlings’ world that doesn’t announce itself with sparks or storms. It’s quieter than that, older than that — a magic that lives in the spaces between people. The kind that arrives when a door opens, when a stranger is welcomed, when a hearth makes room for one more chair.

    The Foundlings call it xenial magic: the enchantment of hospitality, of shared shelter, of choosing to make space for someone who wasn’t yours until the moment you said yes.

    The Threshold

    Xenial magic gathers at thresholds — doorways, gates, the edges of tents in the Night Market. It hums in the air when someone steps inside from the cold. It’s the warmth that rises from the floorboards when a guest crosses into a home that wasn’t expecting them but welcomes them anyway.

    Some say the magic is strongest in places where many feet have crossed the same threshold. Others say it’s strongest when the person entering has nowhere else to go.

    Both are true.

    The Gesture

    Xenial magic isn’t grand. It’s made of gestures:

    • a cup of tea placed in unfamiliar hands
    • a blanket offered without being asked
    • a lantern lit in the window for someone still on the road
    • a name spoken gently, as if it matters (because it does)

    These small acts shift the air. They say, You are safe here. And in the Foundlings’ world, safety is its own kind of spell.

    The People Who Carry It

    Some people carry xenial magic without trying.

    Aaron does — the way he always notices who’s cold, who’s hungry, who’s pretending not to be tired. Mads does — though he’d deny it, his quiet presence is its own invitation. Even Breck, with all his sharp edges, has a way of making space for those he calls his own.

    But xenial magic isn’t limited to the familiar. It blooms brightest when extended to someone unexpected.

    The Exchange

    Xenial magic is reciprocal, though not always in the moment. A kindness offered becomes a thread in the weave of the world. A door opened becomes a door that will open again. A meal shared becomes a memory that warms more than one life.

    In the Foundlings’ world, magic isn’t just power. It’s relationship.

    Together

    Xenial magic is the enchantment of welcome — the spell that turns strangers into guests, guests into companions, companions into kin.

    It’s the reminder that magic doesn’t always arrive with spectacle. Sometimes it arrives with a warm bowl, a soft blanket, a place to sit.

    Sometimes the most powerful magic is simply this: Come in. You’re safe here.

    Where in your life have you felt the quiet magic of being welcomed when you least expected it?